SUBVERTISEMENT

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Picking up the Pieces Jim Condron Artist Talk

I attended the artist talk by Jim Condron on his exhibition "Picking up the Pieces". For some reason, I expected the artist talk to be super formal and structured. This was not what occurred over the 75 minutes in which Jim Condron invited us into his private life as much as he could. Not only did his pieces expose some of his internal emotions, but his conversation with art critic, Ann Landi, and the gallery director was intimate and told of the experiences that led up to his creation of this series. It was especially interesting how Condron did not really want to talk it seemed. He described all the defeat that he went through in his early career and what brought him to this point, almost as though he felt that he was still not worthy of having a crowd gather to hear what he thought and felt. I was moved by his admiration for his mentor, who it turns out, was sitting right in front of me. From the questions that were asked, it seems as though the majority of the audience ...
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A.I.

"The sad thing about artificial intelligence is that it lacks artifice and therefore intelligence." In keeping with the postmodern tradition, my project takes the emotion of the statement and transforms it into a visual display. The composition of the work is most close to a rule of thirds. There are varying different lines separating the piece into different sections, segregating some themes while creating a setting of congruence for others. The focal point of the piece is the white robot playing the violin. Though this figure is set back behind two barriers, it is the brightest color of the image thus the eyes are drawn there. One then follows the orange line to right noticing the contrast of the black and white figure on a colorful background with a warm explosion. Returning to the thick vertical line, one's eye path moves up toward the largest piece of the composition. Using Magritte's Midnight Marriage (1926) while adding a Black Right's movement individual...
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The Whole Ball of Wax Reaction

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The article written by Jerry Salz brings up many interesting points and several conflicting views of various individuals. From the start of the reading, I resonated with the ideas of art's transformative powers and the emphasis on the experience of art. I was reminded of my time spent at the Jewish Museum in Berlin, Germany. The article notes how art does not have the power to stop global warming or halt Holocaust deniers, but I believe that art does have the ability to educate, and this is one of the most powerful mechanisms to start change. The Jewish Museum in Berlin holds some of the most powerful artwork relating to the Holocaust and the experience of Europeans during the 1900's. What is so powerful about this museum and its pieces, is the exposure it presents to all of its visitors.  When present there, its impossible to deny the struggles faced by millions. So, this artwork does in a way, offer change. It offers the hope that individuals will never engage in such a te...
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